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Archive for August, 2012

Rename Soccer Stadiums after Wannie Bo-Toe and George Oppong Weah

By Tewroh-Wehtoe Sungbeh

If one were to take a random poll of soccer enthusiasts in Monrovia about the most dominant player ever to grace the Liberian sports scene over the years, probably George “Oppong” Manneh Weah would be selected unanimously.

Oppong, once a poor kid, grew up in the swamps of Gibraltar near Clara Town in the nation’s capital, Monrovia. His spectacular rise to global stardom and the positive impact he has on his people and the sport are incredibly remarkable. The millionaire soccer star is hardly carried away by fame and fortune. Oppong does impact the soccer-crazed nation of Liberia that barely gets enough of Weah.

Refusing to be exploited and subjected to the ilk of injustice his predecessors suffered, George “Oppong” Manneh Weah left Liberia for the sports market. What has happened since his departure is history. Great history at that!

A class act, he has been there countless times financially for his country. Whether he is called upon by his fellow citizens to rescue the Liberian Lone Star National Team from the brink of embarrassment, or to micromanage the failed and redundant sports bureaucracies as the Liberian Football Association (LFA), and the Ministry of Sports, Weah has provided profound and redeeming leadership. Whether it is preparing the national soccer team for scheduled international matches, providing needed sporting essentials, or being a mentor for truly disadvantaged children emulating him, Weah has always been there.

However before Weah’s meteoric rise to fame, he had a model who also played soccer. That model was imitated by would-be players in Liberia, including Oppong. Certainly had this fellow played in the 1990’s he would have dominated soccer magnificently in Liberia like he did in the 1960’s. Were he alive today, Oppong’s model would have ranked as one of the world’s best.

Wannie Bo-Toe was soccer when the sport was just getting popular in Liberia’s dark ages of the William V. S. Tubman administration. Then, soccer players were only seen as mere commodities. Players fended for themselves and were urged to play hurt and sick only to inflate Tubman’s super-ego under the pretense of national pride.

But the name Wannie Bo-Toe may come not to the minds of many now, especially the young generation, who never saw Toe perform majestically. Like Weah, Toe could break down the defense of opposing teams with his dazzling footwork and unmatched prowess which shocked to awe fans and colleagues alike.

Like Oppong, Toe rose from humble roots, dreaming of playing soccer. Both Weah and Toe share similar roots. They started their career in deserted backyards and in the streets. Many days, they played barefooted; at other times, they had to borrow shoes from pals to play soccer.

Decades apart, Oppong and Toe played soccer in different times and dissimilar circumstances. Both played the sport with great supporting cast of superb athletes and unsung heroes as John “Monkey” Brown, Josiah Johnson, Jackson Wiah, Mass Sarr, James Debbah, etc.

Wannie Bo-Toe, the forgotten hero, played soccer with passion on a field named after Tubman’s wife, Antoinette — a non soccer player. Oppong also played the game on both the Antoinette Tubman Stadium and the Samuel Kanyon Doe Sports Complex.

The latter sports complex was named in Doe’s honor because Doe, the non-football player is said to have supported football staunchly as president of Liberia. But how can a national sports stadium - a national institution of that kind be named after a man who brought shame and disrepute to the people of Liberia by his dictatorial policies? Are we so forgetful of our past, and battered so much that we hate ourselves and have to name a stadium after our former oppressor?

I am not a fan of Weah’s politics because I believe he does not understand politics, and is not a presidential material, either. He ought to get out of politics and concentrate his efforts on those things he is good at doing. Weah knows what he is good at and ought to dig deep down into his soul and find that particular thing, but it is not politics.

However, that does not mean that this man cannot be recognized on the national level for his contribution to sports, and for inspiring others to pursue their dreams and be somebody.

Wannie Bo-Toe died over three decades ago at a young age from injuries he sustained at the Antoinette Tubman Stadium while playing the sport he loved.

Toe brought joy and inspiration to the young and old, the poor and the rich, and had done a lot for Liberia by putting Liberia on the map at a time when soccer players were seen as non-role models. And so has Weah. It is about time national policymakers and ordinary Liberians do the right thing to honor Toe and Weah.

In that process, renaming the Antoinette Tubman Stadium and the Samuel Kanyon Doe Sports Complex after Wannie Bo-Toe and George “Oppong” Manneh Weah respectively would be the right thing to do.

Wannie Bo-Toe and George “Oppong” Manneh Weah are legends. More may emerge. Until that happens, Liberians need honor Toe and Weah for having brought pride and dignity to their country on the international sports scene, gracefully.

The 'boss lady': The elegant Barkue Tubman

By Ralph Geeplay

 

Entertainment impresario and Liberian business magnate, Barkue Tubman, who returned to her native Liberia in 2005 is a trailblazer in the entertainment industry. Having achieved incredible triumph in the United States while cracking the glass ceiling in a field normally reserved for male executives, Barkue is a gem, who it seems everything she touches is gold. Simple as that may seem and sound she has been described as a ‘workaholic and an innovator’ whose drive to make deals defines her.

After she returned home few years ago, Tubman, who is also the CEO of the Miss Boss Lady Entertainment told the British Broadcasting Corporation last year that getting started in Liberia wasn’t easy. “I didn’t really know what I was gonna do initially, but Liberia was a virgin market. Even back then anything I wanted to do as far as I was concerned, with the gifts that I had been blessed with, I knew I would turn it around because I know the strength that I have” she told the BBC’s series African Dream.

Although Barkue Tubman hails from a famous Liberian family, her compelling story and success as a business person is that of her own making. Having fled the country in the aftermath of the turmoil that engulfed the country in the 1980s while just starting primary school, she and her family settled in New York, subsequently graduating from Elon College In North Carolina with degree in French and Business Management.

Hungry for success and the determination to thrive, the ‘boss lady’ joined the male-dominated entertainment industry, which according to insiders is known for its hard nose and stiff knuckles, was able to live up to expectations and went beyond the mark of potential. She would later climb the ladder rapidly to the very top.

According to industry insiders, when the young Liberian mogul began pursuing her interest in the industry, Artist Management was her major focus. According to the Miss Boss Lady International Group’s webpage, which lists her achievements in the music Industry “she accepted a staff position as a Travel Specialist with a company whose clientele included Motown Records’ Babyface, New Edition and Boyz 2 Men, etc.

New Edition’s and Usher’s manager at the time, Brooke Payne, was impressed by Tubman’s vibrant personality and tenacity, and recruited her for a position at his 617 Management company in Los Angeles. After 617 Management, Tubman went on to work with Quadree El Amin and John Dukakis of South Paw Entertainment, where she further honed her management skills by working with top industry talents like Boyz 2 Men & Janet Jackson. Such achievements by any personality in the American entertainment industry deserves rave reviews.

With the drive and the flair she brought her clients and employers, the 39-year old Tubman got the attention of the music industry and executives. Amongst them Queen Latifahs’s management and a record label company in New Jersey –Flavor Unit.

Assured she had acquired the necessary managerial skills to make her own impact, she and Flavor Unit parted ways in 1998. It was then that she began the appropriately titled ‘Miss Boss Lady Entertainment, Inc.’

What she did after leaving Flavor Unit would attest to her managerial skills and business acumen. She later took under her arms and guided the magnificent R&B foursome ‘NEXT’. Under Tubman’s stewardship, the quartet gained multi-platinum status and was chosen for the prestigious American Music Awards garnering eight billboard awards for the hit single, “Too Close.”

The ‘boss lady’ would eventually as president for another management company, Family Tree, worked with insanely talented artists such as Outcast, Raphael Saadiq, Jagged Edge & Macy Gray. She also managed the high-profile Donnell Jones. As her clientele grew so did she also worked for Violator Records, as Vice President of Product Management, and Management Consultant to the music heavyweight rapper Busta Rhymes, and the decorated Grammy winning multi-artistic Missy Elliott.

The elegant Ms. Tubman has never look back since then. Those accomplishments and experiences has allowed her to expand her horizons. The Miss Boss Lady Entertainment Group is also establishing a foothold on the African continent, especially in her native Liberia.

Talking about coming home to Liberia, she said during an interview with the BBC. “What I learned quickly when I hit the ground was that entertainment was not a priority on anybody’s list, for obvious reasons. It wasn’t rocket science. It was definitively tough but you don’t necessarily give up, you just rearrange how you approach what you can do for the entertainment industry; with respect to creating opportunities, but every year it gets better and better”

Tubman went on to successfully host the 2007/08 Miss Liberia Beauty Pageant, amongst other high-profile events in the country since her arrival there.

Tubman says she sees a bright future for Liberia and its entertainment industry, and is not shy to commend Africa’s first female President Johnson Sirleaf, whom she sees as a role model. She credits President Sirleaf enabling the business environment forLiberians to flourish.

Bringing her unique management skills to Liberia while aiming to promoting Liberian artists and the entertainment industry in the country, Barkue and her Miss Boss lady group in April 2008, were instrumental in bringing the internationally acclaimed Senegalese-American hip hop super star Akon to perform at the Monrovia Football Stadium.

The boss lady says the entertainment industry could do better. She maintains that “The future of Liberian artists is definitely bright because young people are really striving to make themselves better and learn.” Her first move to promote Liberian artists, and give them international recognition and exposure came in July last year when she signed her first Liberian performer, the ever-talented crooner David Mell.

Mell’s YouTube joint “Carry Ur Load” is a popular hit. Speaking to the Front Page Africa, the mogul said “Today I am proud,” to say Miss Boss Lady is…going to take an artist under her wing and prepare him not only for Liberia, but also for the international community. When we watch the BET awards we must not only see Nigerian artists but also a Liberian artist purposely representing our country.”

She added, “He has agreed to put his career in my hands and I am going to do everything possible for us all to be successful.” With such commitment and entrepreneurship, the elegant Ms Barkue Tubman has been called a ‘unique Liberian ambassador’ by some, to others she’s the ultimate goal getter.

To give back to society, Tubman founded and is board chair of the African and African Women for peace (AAW-PEACE) initiative. The organization holds annual conferences with the aim of encouraging, engaging, empowering, and uniting women worldwide from Africa to North America in the entertainment industry.

Ralph Geeplay can be reached at [email protected]

 

The ‘boss lady’: The elegant Barkue Tubman

By Ralph Geeplay

 

Entertainment impresario and Liberian business magnate, Barkue Tubman, who returned to her native Liberia in 2005 is a trailblazer in the entertainment industry. Having achieved incredible triumph in the United States while cracking the glass ceiling in a field normally reserved for male executives, Barkue is a gem, who it seems everything she touches is gold. Simple as that may seem and sound she has been described as a ‘workaholic and an innovator’ whose drive to make deals defines her.

After she returned home few years ago, Tubman, who is also the CEO of the Miss Boss Lady Entertainment told the British Broadcasting Corporation last year that getting started in Liberia wasn’t easy. “I didn’t really know what I was gonna do initially, but Liberia was a virgin market. Even back then anything I wanted to do as far as I was concerned, with the gifts that I had been blessed with, I knew I would turn it around because I know the strength that I have” she told the BBC’s series African Dream.

Although Barkue Tubman hails from a famous Liberian family, her compelling story and success as a business person is that of her own making. Having fled the country in the aftermath of the turmoil that engulfed the country in the 1980s while just starting primary school, she and her family settled in New York, subsequently graduating from Elon College In North Carolina with degree in French and Business Management.

Hungry for success and the determination to thrive, the ‘boss lady’ joined the male-dominated entertainment industry, which according to insiders is known for its hard nose and stiff knuckles, was able to live up to expectations and went beyond the mark of potential. She would later climb the ladder rapidly to the very top.

According to industry insiders, when the young Liberian mogul began pursuing her interest in the industry, Artist Management was her major focus. According to the Miss Boss Lady International Group’s webpage, which lists her achievements in the music Industry “she accepted a staff position as a Travel Specialist with a company whose clientele included Motown Records’ Babyface, New Edition and Boyz 2 Men, etc.

New Edition’s and Usher’s manager at the time, Brooke Payne, was impressed by Tubman’s vibrant personality and tenacity, and recruited her for a position at his 617 Management company in Los Angeles. After 617 Management, Tubman went on to work with Quadree El Amin and John Dukakis of South Paw Entertainment, where she further honed her management skills by working with top industry talents like Boyz 2 Men & Janet Jackson. Such achievements by any personality in the American entertainment industry deserves rave reviews.

With the drive and the flair she brought her clients and employers, the 39-year old Tubman got the attention of the music industry and executives. Amongst them Queen Latifahs’s management and a record label company in New Jersey –Flavor Unit.

Assured she had acquired the necessary managerial skills to make her own impact, she and Flavor Unit parted ways in 1998. It was then that she began the appropriately titled ‘Miss Boss Lady Entertainment, Inc.’

What she did after leaving Flavor Unit would attest to her managerial skills and business acumen. She later took under her arms and guided the magnificent R&B foursome ‘NEXT’. Under Tubman’s stewardship, the quartet gained multi-platinum status and was chosen for the prestigious American Music Awards garnering eight billboard awards for the hit single, “Too Close.”

The ‘boss lady’ would eventually as president for another management company, Family Tree, worked with insanely talented artists such as Outcast, Raphael Saadiq, Jagged Edge & Macy Gray. She also managed the high-profile Donnell Jones. As her clientele grew so did she also worked for Violator Records, as Vice President of Product Management, and Management Consultant to the music heavyweight rapper Busta Rhymes, and the decorated Grammy winning multi-artistic Missy Elliott.

The elegant Ms. Tubman has never look back since then. Those accomplishments and experiences has allowed her to expand her horizons. The Miss Boss Lady Entertainment Group is also establishing a foothold on the African continent, especially in her native Liberia.

Talking about coming home to Liberia, she said during an interview with the BBC. “What I learned quickly when I hit the ground was that entertainment was not a priority on anybody’s list, for obvious reasons. It wasn’t rocket science. It was definitively tough but you don’t necessarily give up, you just rearrange how you approach what you can do for the entertainment industry; with respect to creating opportunities, but every year it gets better and better”

Tubman went on to successfully host the 2007/08 Miss Liberia Beauty Pageant, amongst other high-profile events in the country since her arrival there.

Tubman says she sees a bright future for Liberia and its entertainment industry, and is not shy to commend Africa’s first female President Johnson Sirleaf, whom she sees as a role model. She credits President Sirleaf enabling the business environment forLiberians to flourish.

Bringing her unique management skills to Liberia while aiming to promoting Liberian artists and the entertainment industry in the country, Barkue and her Miss Boss lady group in April 2008, were instrumental in bringing the internationally acclaimed Senegalese-American hip hop super star Akon to perform at the Monrovia Football Stadium.

The boss lady says the entertainment industry could do better. She maintains that “The future of Liberian artists is definitely bright because young people are really striving to make themselves better and learn.” Her first move to promote Liberian artists, and give them international recognition and exposure came in July last year when she signed her first Liberian performer, the ever-talented crooner David Mell.

Mell’s YouTube joint “Carry Ur Load” is a popular hit. Speaking to the Front Page Africa, the mogul said “Today I am proud,” to say Miss Boss Lady is…going to take an artist under her wing and prepare him not only for Liberia, but also for the international community. When we watch the BET awards we must not only see Nigerian artists but also a Liberian artist purposely representing our country.”

She added, “He has agreed to put his career in my hands and I am going to do everything possible for us all to be successful.” With such commitment and entrepreneurship, the elegant Ms Barkue Tubman has been called a ‘unique Liberian ambassador’ by some, to others she’s the ultimate goal getter.

To give back to society, Tubman founded and is board chair of the African and African Women for peace (AAW-PEACE) initiative. The organization holds annual conferences with the aim of encouraging, engaging, empowering, and uniting women worldwide from Africa to North America in the entertainment industry.

Ralph Geeplay can be reached at [email protected]

 

The Nobel Peace Laureate vs. the provocative 'ambassador': A case of shooting the messenger?

By Moco McCaulay

 

The growing hullabaloo between the evidently pissed-off elderly Nobel Peace Laureate, who also happens to be the first woman to be elected President of an African nation, and an irreverent young Danish filmmaker, who became an ‘Ambassador’ of her country only to then go on to represent her country in a satirically undiplomatic manner, seems to be brewing into an international maelstrom of pop culture proportions.

The situation is somewhat eminiscent of a not too dissimilar one involving another filmmaker a few years ago. In 2006, when actor Sascha Baron Cohen made Borat, where he played the role of a naïve, albeit provocatively tactless journalist from Kazakhstan, who traveled around the US and at every turn, because of his cultural ineptitude, trampled on the political correctness of Americans, the film touched the nerves of groups running the gamut across ethnic, cultural, religious and sexual orientations in the US and around the world. And news had it that officials in the government of Kazakhstan were especially livid that their country had being the butt of Cohen’s movie spoof.

The movie was banned in some countries and Cohen suffered some legal disputes especially with some of his unwitting co-stars, but the movie was an instant hit, and went on to become a pop culture classic. And despite its displeasure, the government of Kazakhstan seemed to have taken the movie in strides.

Now comes The Ambassador, a film made by Mads Brügger, a Danish journalist, who rather than simply playing the part of a fictitious Ambassador to accomplish his movie plot, actually goes through the trouble and enormous expense to the tune of US $150,000 to obtain an official diplomatic accreditation, signed and sealed by no other than the President of Liberia herself, Madam Ellen Johnson Sirleaf.

But Brügger is no Sasha Cohen, and The Ambassador is no Borat. Where Cohen only plays a fictitious Kazakh journalist, Brügger actually becomes a bona fide diplomatic representative of Liberia, with official papers to authenticate his role as the duly assigned Consul General of Liberia to the Central African Republic (CAR). The movie therefore presents itself as a veritable documentary with Brügger assuming the role of the Julian Assange of film, as he surreptitiously uncovers hidden information that people in high places would rather keep in secret.

Referred to as the “most provocative filmmaker in the world”, Brügger uses his initially pending, and later, officially accredited diplomatic appointment as Liberia’s Consular General to the CAR as a deep cover to enter the netherworld of diplomatic sleaze where he exposes pervasive corruption in the CAR, with Liberia delivered almost as an icing on Brügger’s succulent, and sometimes, equally distasteful cinematic cake.

Using his camera lens, especially recordings captured by hidden cameras, as a sort of stealth magnifying glass to expose corruption in high places in these African countries, Brügger’s film succeeds in provocatively shinning light into the dark alleys of shady con artists, who use the cloak of diplomatic immunity to commit some of the most perverse acts of corruption on the African continent.

The Ambassador has therefore riled officials in Liberia, and in particular it seems, Liberia’s Nobel laureate President, Madam Sirleaf, who has not taken too kindly to her government been Borat-icized by the young Danish film provocateur’s “genre-breaking, tragic comedy”, albeit even if her country only played a subordinate role in Brügger’s cinematic efforts to reveal “insights into how the elite of an archetypical corrupt and devastated African country really works and functions.” And for that, President Sirleaf has taken to personally referring to Brügger as immoral, an impostor and a criminal. Not stopping there, she has even threatened to go as far as seeking Brügger’s extradition to Liberia to be prosecuted.

Naturally, as a Liberian journalist and blogger, my interest was instantly peaked in the film to find out what infractions Brügger had committed against my beloved nation that would so incite the fury of President Sirleaf to cause her to want to sic the Liberian state after the filmmaker. So I made every effort to watch the film.

And now, having watched it twice in one sitting, I am flabbergasted at why my country’s president would be so riled up as to commit the precious resources of our poor nation to prosecute this irreverently provocative genre-bending, but nonetheless, extremely brazen investigative journalist who took great personal risk to uncover corruption in Africa.

Granted as it may be that in his film Brügger does use an alias, and the Liberian president may rightly accuse him of being an impostor. And accuse me if you will of having an inherent journalistic bias, but it strikes me as rather odd that by assuming an alias specifically for his documentary, the Danish journalist has committed so grave a criminal offense as to incite President Sirleaf’s fury so much so that she has threatened to have him extradited to Liberia for trial.

But, not being a legal expert, perhaps the Liberian government does have grounds to press charges against Brügger for using a fictitious name to obtain official Liberian documents (certificate of naturalization, a diplomatic passport, driver’s license and even more gravely, an official accreditation as an ‘Ambassador’ with President Sirleaf’s signature affixed to the document). That notwithstanding, for the Nobel laureate’s visceral fury to fall so squarely on the shoulders of the film director for this debacle would seem rather misdirected.

Yes, the film is highly provocative and President Sirleaf may certainly find no comedy in the film’s “tragic comedy” because Liberia’s portrayal in the film is exceedingly embarrassing since it smears the country, under her stewardship, as just another African country that “offers itself as a Jurassic Park for people who long for Africa of the 70’s” with its attending wholesale corruption and misrule, to use Brügger’s description of the CAR, which is the primary subject of his film.

And while Liberia may be no CAR, which is portrayed in the film as a nation where political assassinations still occur, that corruption and impunity still persists in Liberia is an open secret. And Brügger is certainly not the first one to make that claim. Reputable international watchdog groups have been releasing reports for consecutive years deploring the level of corruption in Liberia.

But what makes Brügger’s corruption revelation so provocative and highly embarrassing is that it is anything but some bland academic report. Brügger’s revelation is captivating. And it is wildly exhilarating because it vicariously takes you by the hands to observe the inner workings of highly-connected and corrupt African officials, which most people will never experience in a lifetime.

And, oh yes, I almost forgot, it is on film!

So it is understandable that President Sirleaf is furious. But that is exactly why she should be pouring fire and brimstone upon corrupt officials in her government and other well-connected agents who are actually responsible for enabling Brügger to accomplish his objectives, causing her government to fall prey to his outlandishly satirized portrayal of corruption in Africa.

The film makes certain troubling claims and raises a multitude of unsavory questions that President Sirleaf must seek clarifications and answers for, if she is earnest about curbing corruption in her country.

Without giving too much away, in a telling scene in the film, which took place in a room in the Kenejah Resorts and Villas, Liberia’s most luxurious hotel, Brügger secretly records a “crisis meeting” with Willem Tijssen, the Dutchman representing the clandestine diplomatic title brokerage which Brügger had contracted to help him obtain his Liberian diplomatic status.

Frustrated that he had still not obtained his official accreditation as Liberia’s Consul General to the CAR, after making several huge payments to Tijssen, Brügger asked why there was a delay and was informed that President Sirleaf still hadn’t signed the accreditation certificate yet.

Feeling that his reputation was on the line, Tijssen complains bitterly to his local Liberian contacts, who had also been invited to the meeting, that he had promised Brügger, based on his past experiences working with them that he would get his accreditation papers approved.

“We never had Sherman involved. Now suddenly this big shot has to be involved. We always played directly with the minister,” Tijssen complained.

Tijssen was referring to Varney Sherman, the renowned Liberian lawyer, and also the Chairman of President Sirleaf’s political party during her bid for reelection in the country’s 2011 Presidential Elections. In the movie, Brügger claims to have given Sherman US $35,000 as a “secret donation” to the President’s reelection campaign; and that Sherman had also become involved in the process to assist him to acquire his ambassadorship.

To assure Brügger that it was only a matter of time before his accreditation papers would go through, one of Tijssen’s Liberian contacts makes a startling revelation:

“One time Mr. Willem came here with six persons and we did four in one single day,” the man boasted.

“Six diplomatic appointments?” a flabbergasted Brügger asks.

“Yes, in one single day!” the man replies assertively.

“You will get your commission printed out…,” another male voice assures.

“The president herself will put a gown on you,” interjects another, referring to a customary Liberian practice to honor a dignitary.

In the end, Brügger does obtain his diplomatic appointment as Liberia’s Consul General to the Central African Republic with President Sirleaf’s signature affixed on the accreditation certificate.

The how and why this happened therefore needs to be thoroughly dug up, and that may require the setting up of an independent commission. That said, it is unambiguously clear that there are many others who seem to enjoy President Sirleaf’s confidence who should also be suffering the brunt of her fury, because the President’s public threats to go after Brügger is beginning to seem very much like a case of shooting the messenger.

The Nobel Peace Laureate vs. the provocative ‘ambassador’: A case of shooting the messenger?

By Moco McCaulay

 

The growing hullabaloo between the evidently pissed-off elderly Nobel Peace Laureate, who also happens to be the first woman to be elected President of an African nation, and an irreverent young Danish filmmaker, who became an ‘Ambassador’ of her country only to then go on to represent her country in a satirically undiplomatic manner, seems to be brewing into an international maelstrom of pop culture proportions.

The situation is somewhat eminiscent of a not too dissimilar one involving another filmmaker a few years ago. In 2006, when actor Sascha Baron Cohen made Borat, where he played the role of a naïve, albeit provocatively tactless journalist from Kazakhstan, who traveled around the US and at every turn, because of his cultural ineptitude, trampled on the political correctness of Americans, the film touched the nerves of groups running the gamut across ethnic, cultural, religious and sexual orientations in the US and around the world. And news had it that officials in the government of Kazakhstan were especially livid that their country had being the butt of Cohen’s movie spoof.

The movie was banned in some countries and Cohen suffered some legal disputes especially with some of his unwitting co-stars, but the movie was an instant hit, and went on to become a pop culture classic. And despite its displeasure, the government of Kazakhstan seemed to have taken the movie in strides.

Now comes The Ambassador, a film made by Mads Brügger, a Danish journalist, who rather than simply playing the part of a fictitious Ambassador to accomplish his movie plot, actually goes through the trouble and enormous expense to the tune of US $150,000 to obtain an official diplomatic accreditation, signed and sealed by no other than the President of Liberia herself, Madam Ellen Johnson Sirleaf.

But Brügger is no Sasha Cohen, and The Ambassador is no Borat. Where Cohen only plays a fictitious Kazakh journalist, Brügger actually becomes a bona fide diplomatic representative of Liberia, with official papers to authenticate his role as the duly assigned Consul General of Liberia to the Central African Republic (CAR). The movie therefore presents itself as a veritable documentary with Brügger assuming the role of the Julian Assange of film, as he surreptitiously uncovers hidden information that people in high places would rather keep in secret.

Referred to as the “most provocative filmmaker in the world”, Brügger uses his initially pending, and later, officially accredited diplomatic appointment as Liberia’s Consular General to the CAR as a deep cover to enter the netherworld of diplomatic sleaze where he exposes pervasive corruption in the CAR, with Liberia delivered almost as an icing on Brügger’s succulent, and sometimes, equally distasteful cinematic cake.

Using his camera lens, especially recordings captured by hidden cameras, as a sort of stealth magnifying glass to expose corruption in high places in these African countries, Brügger’s film succeeds in provocatively shinning light into the dark alleys of shady con artists, who use the cloak of diplomatic immunity to commit some of the most perverse acts of corruption on the African continent.

The Ambassador has therefore riled officials in Liberia, and in particular it seems, Liberia’s Nobel laureate President, Madam Sirleaf, who has not taken too kindly to her government been Borat-icized by the young Danish film provocateur’s “genre-breaking, tragic comedy”, albeit even if her country only played a subordinate role in Brügger’s cinematic efforts to reveal “insights into how the elite of an archetypical corrupt and devastated African country really works and functions.” And for that, President Sirleaf has taken to personally referring to Brügger as immoral, an impostor and a criminal. Not stopping there, she has even threatened to go as far as seeking Brügger’s extradition to Liberia to be prosecuted.

Naturally, as a Liberian journalist and blogger, my interest was instantly peaked in the film to find out what infractions Brügger had committed against my beloved nation that would so incite the fury of President Sirleaf to cause her to want to sic the Liberian state after the filmmaker. So I made every effort to watch the film.

And now, having watched it twice in one sitting, I am flabbergasted at why my country’s president would be so riled up as to commit the precious resources of our poor nation to prosecute this irreverently provocative genre-bending, but nonetheless, extremely brazen investigative journalist who took great personal risk to uncover corruption in Africa.

Granted as it may be that in his film Brügger does use an alias, and the Liberian president may rightly accuse him of being an impostor. And accuse me if you will of having an inherent journalistic bias, but it strikes me as rather odd that by assuming an alias specifically for his documentary, the Danish journalist has committed so grave a criminal offense as to incite President Sirleaf’s fury so much so that she has threatened to have him extradited to Liberia for trial.

But, not being a legal expert, perhaps the Liberian government does have grounds to press charges against Brügger for using a fictitious name to obtain official Liberian documents (certificate of naturalization, a diplomatic passport, driver’s license and even more gravely, an official accreditation as an ‘Ambassador’ with President Sirleaf’s signature affixed to the document). That notwithstanding, for the Nobel laureate’s visceral fury to fall so squarely on the shoulders of the film director for this debacle would seem rather misdirected.

Yes, the film is highly provocative and President Sirleaf may certainly find no comedy in the film’s “tragic comedy” because Liberia’s portrayal in the film is exceedingly embarrassing since it smears the country, under her stewardship, as just another African country that “offers itself as a Jurassic Park for people who long for Africa of the 70’s” with its attending wholesale corruption and misrule, to use Brügger’s description of the CAR, which is the primary subject of his film.

And while Liberia may be no CAR, which is portrayed in the film as a nation where political assassinations still occur, that corruption and impunity still persists in Liberia is an open secret. And Brügger is certainly not the first one to make that claim. Reputable international watchdog groups have been releasing reports for consecutive years deploring the level of corruption in Liberia.

But what makes Brügger’s corruption revelation so provocative and highly embarrassing is that it is anything but some bland academic report. Brügger’s revelation is captivating. And it is wildly exhilarating because it vicariously takes you by the hands to observe the inner workings of highly-connected and corrupt African officials, which most people will never experience in a lifetime.

And, oh yes, I almost forgot, it is on film!

So it is understandable that President Sirleaf is furious. But that is exactly why she should be pouring fire and brimstone upon corrupt officials in her government and other well-connected agents who are actually responsible for enabling Brügger to accomplish his objectives, causing her government to fall prey to his outlandishly satirized portrayal of corruption in Africa.

The film makes certain troubling claims and raises a multitude of unsavory questions that President Sirleaf must seek clarifications and answers for, if she is earnest about curbing corruption in her country.

Without giving too much away, in a telling scene in the film, which took place in a room in the Kenejah Resorts and Villas, Liberia’s most luxurious hotel, Brügger secretly records a “crisis meeting” with Willem Tijssen, the Dutchman representing the clandestine diplomatic title brokerage which Brügger had contracted to help him obtain his Liberian diplomatic status.

Frustrated that he had still not obtained his official accreditation as Liberia’s Consul General to the CAR, after making several huge payments to Tijssen, Brügger asked why there was a delay and was informed that President Sirleaf still hadn’t signed the accreditation certificate yet.

Feeling that his reputation was on the line, Tijssen complains bitterly to his local Liberian contacts, who had also been invited to the meeting, that he had promised Brügger, based on his past experiences working with them that he would get his accreditation papers approved.

“We never had Sherman involved. Now suddenly this big shot has to be involved. We always played directly with the minister,” Tijssen complained.

Tijssen was referring to Varney Sherman, the renowned Liberian lawyer, and also the Chairman of President Sirleaf’s political party during her bid for reelection in the country’s 2011 Presidential Elections. In the movie, Brügger claims to have given Sherman US $35,000 as a “secret donation” to the President’s reelection campaign; and that Sherman had also become involved in the process to assist him to acquire his ambassadorship.

To assure Brügger that it was only a matter of time before his accreditation papers would go through, one of Tijssen’s Liberian contacts makes a startling revelation:

“One time Mr. Willem came here with six persons and we did four in one single day,” the man boasted.

“Six diplomatic appointments?” a flabbergasted Brügger asks.

“Yes, in one single day!” the man replies assertively.

“You will get your commission printed out…,” another male voice assures.

“The president herself will put a gown on you,” interjects another, referring to a customary Liberian practice to honor a dignitary.

In the end, Brügger does obtain his diplomatic appointment as Liberia’s Consul General to the Central African Republic with President Sirleaf’s signature affixed on the accreditation certificate.

The how and why this happened therefore needs to be thoroughly dug up, and that may require the setting up of an independent commission. That said, it is unambiguously clear that there are many others who seem to enjoy President Sirleaf’s confidence who should also be suffering the brunt of her fury, because the President’s public threats to go after Brügger is beginning to seem very much like a case of shooting the messenger.

Ngafuan's 'economic diplomacy'

By Ralph Geeplay

 

Foreign Minister Augustine Kpehe Ngafuan comes to the job with a core strategic objective of promoting Liberia’s policy initiatives. President Sirleaf and Minister Ngafuan referred to that policy initiative as “economic diplomacy.” It means building bridges with investors and foreign governments to win investments, which the duo believes can also advance peace and stability in Liberia.

As foreign minister, Ngafuan is in the position to articulate those objectives. But more than that, he comes to the job having overseen Liberia’s debt wavers during the president’s first term. But why is Liberia advancing a policy goal that aims to foster closer ties with other countries based fundamentally on economics and finance?

The reason says foreign policy observers are simple: Liberia having been devastated by war needs to reconstruct its damaged infrastructure and find employment opportunities for its young population. It also helps that Liberia’s economy has been growing at an annual rate of 6 percent since Sirleaf came to power. The current policy is an attempt to attract major investments and promote Liberia economic outlook in an era when global recession and austerity in Europe and the United States has had a tremendous impact on a nation such as Liberia. By vigorously seeking investments, the country aims to create a buffer to solidify the fiscal foundation for long term sustainability.

The good news is that Africa is the new hot spot for economic growth and investment at a time when growth is slowing in emerging markets such as India and China. Even though, Sub-Sahara Africa is also affected by the financial crisis that began in 2008, Africa has bounced back, say analysts. With the region’s estimated growth rates of six percent predicted for 2013, there is hope that Africa is on a roll.

What is interesting about Africa’s growth is that it is being led mostly by African governments and local entrepreneurs. As a result, South African, Kenyan, and other indigenous firms are investing heavily in other parts of the continent.

Liberia, like other African countries could reap dividends if the intra trade initiative goes into effect, but already, the country has brought investment to its mining, agro forestry and agriculture sectors. In the process, the country is attracting about 16 billion worth of trade during Sirleaf’s first term. Those achievements came when Ngafuan succeeded the experienced Antoinette Sayeh as finance minister.

With economic diplomacy the watch word in a new era in Liberia’s move to make friends in the international community, China has been high on the radar. Monrovia still regard the United States as a traditional partner, and is willing to sell most of its oil assets and wells to American firms to attract investment, and also is allowing the Americans to set up AFRICOM bases there. As a result, Liberia, like most African countries is turning more and more to China for investments and infrastructure development.

China’s 2.6 billion mining concession agreement signed in 2009 was not lost on Augustine Ngafuan, when recently at the Forum for China-Africa Cooperation (FOCAC) fifth ministerial gathering last month, Beijing pledged 20 billion dollars in loans to the continent.

Ngafuan told his audience that “Liberia looks to a win-win partnership with countries and investors from all parts of the world, the People’s Republic of China being one of our key partners.” Ngafuan further said relations with the Asian giant were “buttressed by China-Liberia excellent relations, the People’s Republic of China has helped Liberia, especially in the past six years, to tackle some of the teething challenges of the nation’s reconstruction.” However, he was quick to echo the concerns of many on the continent, especially South Africa’s President Jacob Zuma that China and Africa needed to trade fairly, adding, “China and Africa must continue to work for balanced development and a global world order that is more equitable, fair and sustainable,”

Foreign Minister Ngafuan repeated his concerns when he met Nigeria’s newly appointed ambassador to Monrovia, Obi-Nnadozie, who also happens to be Nigeria’s first female envoy to Liberia. Ngafuan called for Nigerian investment while also paying tribute to Nigeria’s current businesses and entrepreneurs in the country.

If there is a fundamental thrust in Liberia’s foreign policy goals today, it is the economic diplomacy heralded by Foreign Minister Augustine Kpehe Ngafuan. The Liberian foreign minister must be commended for pushing that policy agenda, which benefits the Liberian people as they seek a sustainable future.

Ralph Geeplay can be reached at [email protected]

Ngafuan’s ‘economic diplomacy’

By Ralph Geeplay

 

Foreign Minister Augustine Kpehe Ngafuan comes to the job with a core strategic objective of promoting Liberia’s policy initiatives. President Sirleaf and Minister Ngafuan referred to that policy initiative as “economic diplomacy.” It means building bridges with investors and foreign governments to win investments, which the duo believes can also advance peace and stability in Liberia.

As foreign minister, Ngafuan is in the position to articulate those objectives. But more than that, he comes to the job having overseen Liberia’s debt wavers during the president’s first term. But why is Liberia advancing a policy goal that aims to foster closer ties with other countries based fundamentally on economics and finance?

The reason says foreign policy observers are simple: Liberia having been devastated by war needs to reconstruct its damaged infrastructure and find employment opportunities for its young population. It also helps that Liberia’s economy has been growing at an annual rate of 6 percent since Sirleaf came to power. The current policy is an attempt to attract major investments and promote Liberia economic outlook in an era when global recession and austerity in Europe and the United States has had a tremendous impact on a nation such as Liberia. By vigorously seeking investments, the country aims to create a buffer to solidify the fiscal foundation for long term sustainability.

The good news is that Africa is the new hot spot for economic growth and investment at a time when growth is slowing in emerging markets such as India and China. Even though, Sub-Sahara Africa is also affected by the financial crisis that began in 2008, Africa has bounced back, say analysts. With the region’s estimated growth rates of six percent predicted for 2013, there is hope that Africa is on a roll.

What is interesting about Africa’s growth is that it is being led mostly by African governments and local entrepreneurs. As a result, South African, Kenyan, and other indigenous firms are investing heavily in other parts of the continent.

Liberia, like other African countries could reap dividends if the intra trade initiative goes into effect, but already, the country has brought investment to its mining, agro forestry and agriculture sectors. In the process, the country is attracting about 16 billion worth of trade during Sirleaf’s first term. Those achievements came when Ngafuan succeeded the experienced Antoinette Sayeh as finance minister.

With economic diplomacy the watch word in a new era in Liberia’s move to make friends in the international community, China has been high on the radar. Monrovia still regard the United States as a traditional partner, and is willing to sell most of its oil assets and wells to American firms to attract investment, and also is allowing the Americans to set up AFRICOM bases there. As a result, Liberia, like most African countries is turning more and more to China for investments and infrastructure development.

China’s 2.6 billion mining concession agreement signed in 2009 was not lost on Augustine Ngafuan, when recently at the Forum for China-Africa Cooperation (FOCAC) fifth ministerial gathering last month, Beijing pledged 20 billion dollars in loans to the continent.

Ngafuan told his audience that “Liberia looks to a win-win partnership with countries and investors from all parts of the world, the People’s Republic of China being one of our key partners.” Ngafuan further said relations with the Asian giant were “buttressed by China-Liberia excellent relations, the People’s Republic of China has helped Liberia, especially in the past six years, to tackle some of the teething challenges of the nation’s reconstruction.” However, he was quick to echo the concerns of many on the continent, especially South Africa’s President Jacob Zuma that China and Africa needed to trade fairly, adding, “China and Africa must continue to work for balanced development and a global world order that is more equitable, fair and sustainable,”

Foreign Minister Ngafuan repeated his concerns when he met Nigeria’s newly appointed ambassador to Monrovia, Obi-Nnadozie, who also happens to be Nigeria’s first female envoy to Liberia. Ngafuan called for Nigerian investment while also paying tribute to Nigeria’s current businesses and entrepreneurs in the country.

If there is a fundamental thrust in Liberia’s foreign policy goals today, it is the economic diplomacy heralded by Foreign Minister Augustine Kpehe Ngafuan. The Liberian foreign minister must be commended for pushing that policy agenda, which benefits the Liberian people as they seek a sustainable future.

Ralph Geeplay can be reached at [email protected]

Sugarcoating 133 years of Americo-Liberian dominance

By Samuel D. Tweah Jr
At a time Liberia struggles with national reconciliation and a cohesive national identity, it pains to pen this article. But Dr. Elwood Dunn, a noted Liberian historian and scholar, leaves no choice in his less than honest assessment of our past during his July 26, 2012 Independence Day oration.

Every Independence celebration presents an opportunity for Liberians to reflect upon their accomplishments and failures. An Independence Day oration should aim to motivate Liberians to hanker after greater national futures and should press them to assess the tragedies of their past. Dr. Dunn’s oration leaves too much to be desired in interpreting our past. Dr. Dunn makes several troubling assertions, which are teased and fleshed out in the following sections.

In describing the ‘what’, ‘why’ and ‘how’ of Liberian history, the professor asserts: “In the beginning of Liberia there was a contestation of visions, but a single vision prevailed for long and shaped the country’s development or evolution.”

What he calls ‘contestation of vision’ can more accurately be considered an ‘imposition of vision.’ Contestation of vision implies the contest takes place in the realm of ideas, perspectives or direction. Before and after independence, the political landscape in Liberia was marred not by ideological or visioning perspectives, but by battlefield contests over settlers’ need for territorial acquisition, without which asserting authority would be difficult, and tribal peoples’ need to retain control of traditionally inherited lands.

Describing these clashes as a contestation of vision is a tragic, if not deliberate, misnomer. But even if one grants the Professor’s interpretation of contest in terms of visions and ideas, the problem is still not remedied. Contestation implies the existence of rivaling, competing forces of consequence. For a description such as contestation to be justified, rivaling and contesting forces need not be equal in power, resource or intellectual endowment, but must each be able to exert a credible toehold on the contest and influence the course of events.

No such condition existed at the founding of Liberia. Americo-Liberians, who founded the state, had an incontestable, near unanimous vision to; i) to bring more territories under the control of Liberian governing or political authority and; 2) to exclude indigenous peoples from the echelons of power, since they clearly avowed hostility to Americo-Liberian pretentions and interests. The settlers at our founding never admitted indigenous peoples into legislatures or constitutional conventions, where debates to influence the course of Liberian history were held. The bassas and krus, who might have provided an alternative vision, were nowhere around the seat of governance.

To justify and make concrete his idea of contest, Professor Dunn brings in the venerable Edward Wilmot Blyden as a kind of stand-in for the indigenous masses.

He asserts: “Two decades later, an alternative paradigm or vision was proffered [by Blyden], that of blending Western and African values symbolized by planting the state firmly in African soil.”

First, Blyden was an erudite African philosopher, in much the same or lesser tradition as John Locke or Rene Descartes. To mistake his philosophical rendition of the Liberian society as providing grounds of contests, two decades after our founding, against the ruling political establishment is a fundamental misreading of Liberian history. Blyden too, like the Krus and Grebos, was never admitted into circles that could influence the course of events.

Also, no consequential political faction existing at the time drew from Blyden’s ideas and philosophies, in the way American Founders drew from John Locke or David Hume, since Blyden’s ideas were clearly at variance with prevailing Americo-Liberian governing values and norms. Blyden’s thinking did not influence and could have influenced the trajectory of Liberian political development in the 1800s, an outcome that justifies describing his vision as providing a foundation for contest against the ruling establishment.

What is interesting is that Professor Dunn’s argument of contestation of vision is contradicted by his reference to a historian who writes that: “Blyden’s oratorical prowess thrilled his hearers but did not change social norms. He was rewarded with distant diplomatic appointments in Europe. He was fluent in a number of languages including Arabic—but if he had learned Kru and began to express his challenge from Sasstown he would have been considered more threatening than the Court of St. James in [faraway] England.”

Despite this evidence of the negligible impact Blyden had among founders of the Liberian state, Dr. Dunn still believes Blyden provided an alternative paradigm that probably had a chance of success. In arguing that “a single vision prevailed for long and shaped the country’s development or evolution,” the Professor avoids stating the ‘single and only vision.’ The ideas Blyden provided stood no chance of success at the time.

Probably the closest to a contest of political consequence we find at the founding of Liberia was a contest between light-skinned Americos called mulatoes, hailing from the Republic Party of Joseph Jenkins Roberts, and dark-skinned Americos, who would subsequently establish the True Whig Party. This was a contest not in ideology, direction or vision, but on the basis of skin color, in which the predominant majority of indigenes had absolutely no say.

In short, the history of the founding of Liberia is a history of the primacy and the imposed supremacy of a singular vision of dominance of an indigenous majority for political ends.
The second troubling aspect of the oration, and this is an aspect of OMISSION, is that Dr. Dunn does not seriously hold accountable those originally entrusted with what he calls the ‘Promise’, neither does he hold accountable succeeding generations who mismanaged that promise for about 110 years. Where he attempts criticism, it is 1) weak and sugarcoated and 2) selective.
Sugarcoating the Past in discussing the impact of what he brilliantly calls our ‘Triple Heritages,” Dr. Dunn argues that:
“Some [Liberians] have enjoyed more privileges than others, our exposure to the three heritages has been uneven, and this has left in its wake a certain misunderstanding.”

And in providing an answer to what happened in Liberian history, the ‘what’ of his oration- the contest of visions- Dr. Dunn argues that the contest of vision (the what) happened because of ‘the preferences and prejudices of the era’ (the why).
First who are ‘some Liberians’? What accounts for the unevenness in our heritages?

Third, the consequence of the subjugation of traditional and Islamic heritages by the western heritage, which the professor does not discuss, cannot be described as a ‘misunderstanding.’ Just about a week ago, Liberians belonging to the Islamic heritage complained of the absence of a prominent role during the very program in which Professor Dunn delivered his oration. That oversight, as it was subsequently described, is as a consequence of decades of subjugation of the Islamic heritage, particularly during the Americo-Liberian hegemony. Today’s biases and prejudices meted against those from the Islamic heritage are inherited from the first 133 years of our national existence.

Also, the Professor summarizes 133 years of political wrongdoing as prejudice. This is gross, tendentious understatement that has to be challenged. And more to the point, he uses ‘prejudices’ alongside ‘preferences’ as if to argue that ‘preferences’ define or connote the positives of the era while ‘prejudices’ explain the negatives.

Drilling down deeper into the logic of the relationship between ‘the what’ and ‘the why’ provides something more revealing.
Dr. Dunn implies that throughout Liberian history there was a ‘contestation of vision’ because of ‘preferences and prejudices.’ Take this statement as given. For a ‘contestation of vision’ to be explained by ‘preferences and prejudices’ it has to be the case that the contest in question does not consist entirely of intellectual disputation as proffered by Blyden, Teage and others.

This is the meaning of contest the Professor leaves in the mind of his Liberian audience. But it has been shown that people sometimes react in violent ways to prejudices meted out to them. How could the Kru and Grebo wars of 1843 and 1854 over control of coastal regions and issues of land rights respectively, be described as a “contestation of vision? The Krus and Grebos fought wars for their lands. Clearly what Dr. Dunn means by ‘contestation of vision’ is the Liberian government’s post-independence imposition of political authority, usually with the aid of the United States Navy, on tribal peoples.

Since ‘imposition of vision’ is a pejorative, the professor opts for the verbal palliative, ‘contestation of vision.’ Critical Selectivism Examples of critical selectivism can be found in his criticism of President Tubman’s Open and Unification Policies as well as his criticism of the constitutional drafting process of the 1980s. Dr. Dunn asserts that: “If we went back to the 1860s we would discover a Liberian entrepreneurship characterized by self-reliance, innovation, creativity and risk-taking.

These early Liberian business people produced goods and services that they then traded internally and externally and held their own for decades. Goods produced in Liberia were transported to Europe in Liberian-built vessels. With the initiation of patronage politics by what became a hegemonic True Whig Party politics soon became king. The Open Door Policy that made politics king then sealed the fate of independent Liberian business. A paradigm shift to a rent-seeking economy, incompatible with productivity, innovation and self-reliance, has bedeviled us since.”

There are several things atrociously wrong with the above assertion. First, the True Whig Party was hegemonic since 1869 when it was founded and did not become hegemonic merely after William V.S. Tubman took its reins. Hegemonic proclivities are seen clearly in the TWP’s suppressive dealings with tribal communities prior to 1944. The TWP was the hegemon of the era, bullying tribes and local peoples into submission and compliance, usually with the aid of the U.S. Navy.

Second, Tubman or the True Whig Party did not ‘make politics King’. Since 1847, politics, especially that of the patronage kind, was King. It was patronage politics that led to the formation of the True Whig Party, since dark-skinned Americos resented the control and influence enjoyed by their light-skinned compatriots of the Republican Party of Joseph Jenkins Roberts.

Third, the decline of innovation, creativity or risk-taking among Liberian business people, to the extent such a decline happened and the decline was caused by patronage cannot originate with the Open Door policy, since entrenched patronage networks existed long before the advent of Tubman. While many historical accounts have documented Liberian merchant ships manned by Kru seamen carrying coffee and palm oil to foreign markets, there is no evidence that patronage occasioned the end of such trading.

That end could have been a consequence of the invasion of coastal territories by the Liberian government, distorting incentives among seafaring peoples of the coast. It could be that the British and other foreign powers in the region, took over trade in palm oil. It could be for a variety of other reasons. In short many events may explain the decline of trading and to chalk it up to patronage is less than instructive.

Third, there is no established consensus among economists or political scientists that patronage increases risk aversion or discourages business innovation. A business that is connected to the political elites may in fact lower operating costs. In avoiding taxes due to political connections, a business may plough the tax savings back into research and development or might use the savings to expand output. While patronage is generally negative, the context of patronage has to be studied before specific, causative references can be made.

Fourth, the Open Door Policy was a response to a national capability deficit. The path to Liberian development in 1944, when Tubman assumed power was inconceivable in the absence of foreign technical knowhow or expertise. The major criticism of the Open Door Policy is not that it engendered a ‘rent-seeking economy incompatible with productivity.’ (Dozens of economic papers have documented the coexistence of rent-seeking and business productivity; Asia has provided examples in the coexistence of patronage military dictatorships amid industrial, entrepreneurial surges), it is that after opening the door, Liberians did not develop institutions and capabilities to transfer skills from expatriates to local denizens.

The Management of our ‘Triple Heritages’ Accounting for the management of Liberia’s Triple Heritages—its African Traditional Background, its Islamic Heritage and its Western Exposure-which the Professor lucidly discusses, ought to have been a central thrust of his oration. How is it that Liberian Western Heritage succeeded in subjugating the other heritages for decades?

What forces or factors bear responsibility for this subjugation? How do Liberians prevent such subjugation in their post-conflict future? These are interesting paths Dr. Dunn could have explored, placing him at an objective, dispassionate distance above the political culture and its morasses. He adequately defines the future role of law and culture in our national reconstruction, but his near partisan treatment of the Liberian past undermines even these positive aspects of the oration.

Though rejected by the original handlers of Liberian heritage, Edward Wilmot Blyden remains resonant in post-conflict Liberia. This era of anti-corruption radicalism and of political pluralism and inclusion furnishes a fertile soil in which the ideals, philosophies and ideas of Blyden can find nourishment. Any contestation of ideas or visions may now be grounded on the thinking of Blyden. We live in Blyden’s Century.

Somewhere in his oration, Dr. Dunn implores: “We should encourage Liberian historians to hash out a national narrative that is truthful, inclusive, and does not shift blame from individual wrongdoing to groups; whether in the distant past or more recently.”
Even Professor Elwood Dunn crumbles under the weight of his own standard of truthfulness of historical narrative.

Samuel D. Tweah Jr., can be reached at [email protected]

Sugarcoating 133 years of Americo-Liberian dominance

By Samuel D. Tweah Jr
At a time Liberia struggles with national reconciliation and a cohesive national identity, it pains to pen this article. But Dr. Elwood Dunn, a noted Liberian historian and scholar, leaves no choice in his less than honest assessment of our past during his July 26, 2012 Independence Day oration.

Every Independence celebration presents an opportunity for Liberians to reflect upon their accomplishments and failures. An Independence Day oration should aim to motivate Liberians to hanker after greater national futures and should press them to assess the tragedies of their past. Dr. Dunn’s oration leaves too much to be desired in interpreting our past. Dr. Dunn makes several troubling assertions, which are teased and fleshed out in the following sections.

In describing the ‘what’, ‘why’ and ‘how’ of Liberian history, the professor asserts: “In the beginning of Liberia there was a contestation of visions, but a single vision prevailed for long and shaped the country’s development or evolution.”

What he calls ‘contestation of vision’ can more accurately be considered an ‘imposition of vision.’ Contestation of vision implies the contest takes place in the realm of ideas, perspectives or direction. Before and after independence, the political landscape in Liberia was marred not by ideological or visioning perspectives, but by battlefield contests over settlers’ need for territorial acquisition, without which asserting authority would be difficult, and tribal peoples’ need to retain control of traditionally inherited lands.

Describing these clashes as a contestation of vision is a tragic, if not deliberate, misnomer. But even if one grants the Professor’s interpretation of contest in terms of visions and ideas, the problem is still not remedied. Contestation implies the existence of rivaling, competing forces of consequence. For a description such as contestation to be justified, rivaling and contesting forces need not be equal in power, resource or intellectual endowment, but must each be able to exert a credible toehold on the contest and influence the course of events.

No such condition existed at the founding of Liberia. Americo-Liberians, who founded the state, had an incontestable, near unanimous vision to; i) to bring more territories under the control of Liberian governing or political authority and; 2) to exclude indigenous peoples from the echelons of power, since they clearly avowed hostility to Americo-Liberian pretentions and interests. The settlers at our founding never admitted indigenous peoples into legislatures or constitutional conventions, where debates to influence the course of Liberian history were held. The bassas and krus, who might have provided an alternative vision, were nowhere around the seat of governance.

To justify and make concrete his idea of contest, Professor Dunn brings in the venerable Edward Wilmot Blyden as a kind of stand-in for the indigenous masses.

He asserts: “Two decades later, an alternative paradigm or vision was proffered [by Blyden], that of blending Western and African values symbolized by planting the state firmly in African soil.”

First, Blyden was an erudite African philosopher, in much the same or lesser tradition as John Locke or Rene Descartes. To mistake his philosophical rendition of the Liberian society as providing grounds of contests, two decades after our founding, against the ruling political establishment is a fundamental misreading of Liberian history. Blyden too, like the Krus and Grebos, was never admitted into circles that could influence the course of events.

Also, no consequential political faction existing at the time drew from Blyden’s ideas and philosophies, in the way American Founders drew from John Locke or David Hume, since Blyden’s ideas were clearly at variance with prevailing Americo-Liberian governing values and norms. Blyden’s thinking did not influence and could have influenced the trajectory of Liberian political development in the 1800s, an outcome that justifies describing his vision as providing a foundation for contest against the ruling establishment.

What is interesting is that Professor Dunn’s argument of contestation of vision is contradicted by his reference to a historian who writes that: “Blyden’s oratorical prowess thrilled his hearers but did not change social norms. He was rewarded with distant diplomatic appointments in Europe. He was fluent in a number of languages including Arabic—but if he had learned Kru and began to express his challenge from Sasstown he would have been considered more threatening than the Court of St. James in [faraway] England.”

Despite this evidence of the negligible impact Blyden had among founders of the Liberian state, Dr. Dunn still believes Blyden provided an alternative paradigm that probably had a chance of success. In arguing that “a single vision prevailed for long and shaped the country’s development or evolution,” the Professor avoids stating the ‘single and only vision.’ The ideas Blyden provided stood no chance of success at the time.

Probably the closest to a contest of political consequence we find at the founding of Liberia was a contest between light-skinned Americos called mulatoes, hailing from the Republic Party of Joseph Jenkins Roberts, and dark-skinned Americos, who would subsequently establish the True Whig Party. This was a contest not in ideology, direction or vision, but on the basis of skin color, in which the predominant majority of indigenes had absolutely no say.

In short, the history of the founding of Liberia is a history of the primacy and the imposed supremacy of a singular vision of dominance of an indigenous majority for political ends.
The second troubling aspect of the oration, and this is an aspect of OMISSION, is that Dr. Dunn does not seriously hold accountable those originally entrusted with what he calls the ‘Promise’, neither does he hold accountable succeeding generations who mismanaged that promise for about 110 years. Where he attempts criticism, it is 1) weak and sugarcoated and 2) selective.
Sugarcoating the Past in discussing the impact of what he brilliantly calls our ‘Triple Heritages,” Dr. Dunn argues that:
“Some [Liberians] have enjoyed more privileges than others, our exposure to the three heritages has been uneven, and this has left in its wake a certain misunderstanding.”

And in providing an answer to what happened in Liberian history, the ‘what’ of his oration- the contest of visions- Dr. Dunn argues that the contest of vision (the what) happened because of ‘the preferences and prejudices of the era’ (the why).
First who are ‘some Liberians’? What accounts for the unevenness in our heritages?

Third, the consequence of the subjugation of traditional and Islamic heritages by the western heritage, which the professor does not discuss, cannot be described as a ‘misunderstanding.’ Just about a week ago, Liberians belonging to the Islamic heritage complained of the absence of a prominent role during the very program in which Professor Dunn delivered his oration. That oversight, as it was subsequently described, is as a consequence of decades of subjugation of the Islamic heritage, particularly during the Americo-Liberian hegemony. Today’s biases and prejudices meted against those from the Islamic heritage are inherited from the first 133 years of our national existence.

Also, the Professor summarizes 133 years of political wrongdoing as prejudice. This is gross, tendentious understatement that has to be challenged. And more to the point, he uses ‘prejudices’ alongside ‘preferences’ as if to argue that ‘preferences’ define or connote the positives of the era while ‘prejudices’ explain the negatives.

Drilling down deeper into the logic of the relationship between ‘the what’ and ‘the why’ provides something more revealing.
Dr. Dunn implies that throughout Liberian history there was a ‘contestation of vision’ because of ‘preferences and prejudices.’ Take this statement as given. For a ‘contestation of vision’ to be explained by ‘preferences and prejudices’ it has to be the case that the contest in question does not consist entirely of intellectual disputation as proffered by Blyden, Teage and others.

This is the meaning of contest the Professor leaves in the mind of his Liberian audience. But it has been shown that people sometimes react in violent ways to prejudices meted out to them. How could the Kru and Grebo wars of 1843 and 1854 over control of coastal regions and issues of land rights respectively, be described as a “contestation of vision? The Krus and Grebos fought wars for their lands. Clearly what Dr. Dunn means by ‘contestation of vision’ is the Liberian government’s post-independence imposition of political authority, usually with the aid of the United States Navy, on tribal peoples.

Since ‘imposition of vision’ is a pejorative, the professor opts for the verbal palliative, ‘contestation of vision.’ Critical Selectivism Examples of critical selectivism can be found in his criticism of President Tubman’s Open and Unification Policies as well as his criticism of the constitutional drafting process of the 1980s. Dr. Dunn asserts that: “If we went back to the 1860s we would discover a Liberian entrepreneurship characterized by self-reliance, innovation, creativity and risk-taking.

These early Liberian business people produced goods and services that they then traded internally and externally and held their own for decades. Goods produced in Liberia were transported to Europe in Liberian-built vessels. With the initiation of patronage politics by what became a hegemonic True Whig Party politics soon became king. The Open Door Policy that made politics king then sealed the fate of independent Liberian business. A paradigm shift to a rent-seeking economy, incompatible with productivity, innovation and self-reliance, has bedeviled us since.”

There are several things atrociously wrong with the above assertion. First, the True Whig Party was hegemonic since 1869 when it was founded and did not become hegemonic merely after William V.S. Tubman took its reins. Hegemonic proclivities are seen clearly in the TWP’s suppressive dealings with tribal communities prior to 1944. The TWP was the hegemon of the era, bullying tribes and local peoples into submission and compliance, usually with the aid of the U.S. Navy.

Second, Tubman or the True Whig Party did not ‘make politics King’. Since 1847, politics, especially that of the patronage kind, was King. It was patronage politics that led to the formation of the True Whig Party, since dark-skinned Americos resented the control and influence enjoyed by their light-skinned compatriots of the Republican Party of Joseph Jenkins Roberts.

Third, the decline of innovation, creativity or risk-taking among Liberian business people, to the extent such a decline happened and the decline was caused by patronage cannot originate with the Open Door policy, since entrenched patronage networks existed long before the advent of Tubman. While many historical accounts have documented Liberian merchant ships manned by Kru seamen carrying coffee and palm oil to foreign markets, there is no evidence that patronage occasioned the end of such trading.

That end could have been a consequence of the invasion of coastal territories by the Liberian government, distorting incentives among seafaring peoples of the coast. It could be that the British and other foreign powers in the region, took over trade in palm oil. It could be for a variety of other reasons. In short many events may explain the decline of trading and to chalk it up to patronage is less than instructive.

Third, there is no established consensus among economists or political scientists that patronage increases risk aversion or discourages business innovation. A business that is connected to the political elites may in fact lower operating costs. In avoiding taxes due to political connections, a business may plough the tax savings back into research and development or might use the savings to expand output. While patronage is generally negative, the context of patronage has to be studied before specific, causative references can be made.

Fourth, the Open Door Policy was a response to a national capability deficit. The path to Liberian development in 1944, when Tubman assumed power was inconceivable in the absence of foreign technical knowhow or expertise. The major criticism of the Open Door Policy is not that it engendered a ‘rent-seeking economy incompatible with productivity.’ (Dozens of economic papers have documented the coexistence of rent-seeking and business productivity; Asia has provided examples in the coexistence of patronage military dictatorships amid industrial, entrepreneurial surges), it is that after opening the door, Liberians did not develop institutions and capabilities to transfer skills from expatriates to local denizens.

The Management of our ‘Triple Heritages’ Accounting for the management of Liberia’s Triple Heritages—its African Traditional Background, its Islamic Heritage and its Western Exposure-which the Professor lucidly discusses, ought to have been a central thrust of his oration. How is it that Liberian Western Heritage succeeded in subjugating the other heritages for decades?

What forces or factors bear responsibility for this subjugation? How do Liberians prevent such subjugation in their post-conflict future? These are interesting paths Dr. Dunn could have explored, placing him at an objective, dispassionate distance above the political culture and its morasses. He adequately defines the future role of law and culture in our national reconstruction, but his near partisan treatment of the Liberian past undermines even these positive aspects of the oration.

Though rejected by the original handlers of Liberian heritage, Edward Wilmot Blyden remains resonant in post-conflict Liberia. This era of anti-corruption radicalism and of political pluralism and inclusion furnishes a fertile soil in which the ideals, philosophies and ideas of Blyden can find nourishment. Any contestation of ideas or visions may now be grounded on the thinking of Blyden. We live in Blyden’s Century.

Somewhere in his oration, Dr. Dunn implores: “We should encourage Liberian historians to hash out a national narrative that is truthful, inclusive, and does not shift blame from individual wrongdoing to groups; whether in the distant past or more recently.”
Even Professor Elwood Dunn crumbles under the weight of his own standard of truthfulness of historical narrative.

Samuel D. Tweah Jr., can be reached at [email protected]

Jewel Howard Taylor’s anti-gay bill could reopen old wounds

By Tewroh-Wehtoe Sungbeh

 

The lady who once stood by her man in reticence as he carried out one of the most vicious campaigns of human rights abuse in the history of both Liberia and Sierra Leone, is now in the forefront of carrying out her own vicious crusade against gay rights in Liberia.

Jewel Howard Taylor’s campaign to criminalize gay marriage got a boost in the Liberian senate recently, when that body did just that by amending the constitution to prohibit marriage between gay couples.

The Liberian people experienced these same violations of their rights years ago when Charles Taylor, who was then married to Jewel, did not only imposed his violent brand of leadership on them; but also held them hostage until they elected him president.

As a witness to the most despicable and fatal decisions ever made in the history of Liberia during her husband’s stint as both a rebel leader and President of Liberia, Jewel Howard Taylor had a chance in her new life to change the tone of the national debate from being divisive to embracing and unifying the Liberian people.

She did not. Instead, she picked a socially and culturally polarizing issue that surely divided Liberians along ethnic and religious lines.

Responding to the overwhelming support her bill got from her colleagues, Ms. Taylor added, “My bill seeks to ensure that people of the same sex under our law should not be allowed to get married. During a previous debate on the same issue, the Senator reportedly suggested making homosexuality a first-degree felony punishable up to a 10-year prison sentence.

It is so true that this issue is not a popular one in Liberia. President Sirleaf, keenly aware of its unpopularity played it skillfully to score points, even as it undermines her credibility as a Nobel laureate who jointly won her peace prize for fighting non-violently for women’s rights, and also for participating in peace-building work.

President Sirleaf danced her way around the issue gingerly, was profoundly vague in her public statement, did not show leadership, but added: “We like ourselves the way we are. We’ve got certain traditional values in our society we would like to preserve.”

However, when pressure began to pour in from Liberia’s international friends regarding her government’s position about this sensitive issue, the Liberian leader promised through her spokesman that she would veto the bill if it made it to her desk.

Sadly, the president did not veto the bill, and this is happening at a time when Liberians are returning home to uncertainty in a crumbling nation far from embracing all Liberians as human beings. This is also happening at a time when insensitivity, intolerance and the obvious lack of law and order is threatening to destroy the fragile peace the Liberian people has ever enjoyed since the coming of Ellen Johnson Sirleaf.

For Jewel Howard Taylor, the idea of Liberians living happily in peace and prosperity in their own country is not a concern in this extremely fragile post-war era, but a time to legislate how those Liberians should live their lives, and with whom they share their precious time.

As an elected official, the former wife of Charles believes it is her business to legislate morality in a dysfunctional nation fraught with underdevelopment, abject poverty, rampant corruption, and an ineffective legislative branch of government of which she’s a vocal and visible member.

As First Lady of Liberia, however, Jewel Howard Taylor did not make her name as a supporter and spokesperson of charitable causes that make a difference in the lives of Liberians. She did not spearhead a national campaign (as she is now doing against gay rights) to support life and death causes such as mental health projects, back to school campaigns, teenage pregnancy, drug and alcohol abuse, domestic violence, AIDS, hunger, etc, etc.

She did not even define her ceremonial role as First Lady in terms of being a conscience of a broken people during a time of anxiety and uncertainty, but looked the other way and tacked along opportunistically as an unprincipled partner who conveniently kept a bogus marriage with a criminal alive, even as innocent Liberians painfully beg the Taylor clan to spare their lives.

With Charles put away for the rest of his life in a European jail (where he rightfully belong) for human rights violations, Jewel, not wanting to be left out of the political limelight cleverly ran for the Liberian Senate representing the people of Bong County.

That political move made Jewel Howard Taylor a proud member of the spineless Liberian legislative branch of government, and catapulted her into the national spotlight at a time when another female, Ellen Johnson Sirleaf, became a trailblazing political leader in that troubled country.

It is one thing to be an ambitious former wife of a warlord-turned president, whose loyalty and devotion to her spouse kept her mum on burning national issues during her years in the Executive Mansion, and another to be a member of the Liberian Senate.

Perhaps Jewel Howard Taylor has forgotten that there is a sense of responsibility that comes with being a member of the Liberian senate. Being respectful, sensitive, and tolerant of individual differences and views, and contributing to the national debate in both a balanced and compassionate way, are key elements of being a responsible leader.

With a deadly civil war still etched in the minds of Liberians, and the massive reasons why a war was fought in the first place are staring at us daily are enough reasons to stay clear of those divisive social issues that could create tension, and does not put food on the tables of Liberians.

Instead of legislating homosexuality, Jewel Howard Taylor and her colleagues should concentrate on creating jobs, and ought to pass a bill that grants dual citizenship to Liberians living abroad.

Those Senators and Representatives should work on changing the current term limits of their own members of the House of Representatives and Senate from what it is now to a sensible term limit, pass a bill that makes the National Elections Commission independent and neutral, make the imperial presidency accountable to the Liberian people, pass a sensible bill that coordinates commercial transportation in the greater Monrovia area, and then replace Amos Sawyer’s recent decentralization report with a sensible one that genuinely empowers Superintendents, who shouldn’t be macromanaged by the President of Liberia and the Minister of Internal Affairs.

Jewel Howard Taylor’s anti-gay bill is a bad bill. It is an irresponsible bill that could reopen old wounds and threatens Liberia’s peace, and distinction as a warm and friendly place to travel.